艺术家版税协议起草

关于单曲《夜街》创作工作的版税协议

本协议由以下各方于[签署日期]在[签署地]订立：

甲方（创作者）：林屿，身份证号：[ ]，通讯地址：[ ]，电子邮箱：[ ]，联系电话：[ ]。

乙方（牵头发行方/厂牌方）：[公司名称]，统一社会信用代码：[ ]，住所地：[ ]，法定代表人：[ ]，联系人及邮箱：[ ]。

丙方（联合发行方/联合厂牌，如有）：[公司名称]，统一社会信用代码：[ ]，住所地：[ ]，法定代表人：[ ]，联系人及邮箱：[ ]。注：如有多个联合厂牌，本协议项下对乙方与丙方之支付及结算义务适用连带责任。

鉴于：
1. 甲方就单曲《夜街》（下称“本单曲”）提供创作贡献，包括但不限于作词、作曲、编曲、音乐制作、录音表演等（具体以本协议附表一载明为准）。
2. 乙方/丙方拟作为厂牌联名主体对本单曲进行录制、发行、推广与商业化开发，需取得为此所必需的权利许可，并就利用收益向甲方支付版税。
3. 各方愿依据《中华人民共和国著作权法》《中华人民共和国民法典》及相关法律法规，明确权利归属、许可范围、结算与监管机制。

现各方达成如下协议：

一、定义
1. 本单曲：指名称为《夜街》的音乐作品及其对应之录音制品/母带（含后续替代、编辑、混音、母带重制版本）。
2. 音乐作品：指歌词与乐曲（旋律、和声、结构）之原创表达。
3. 录音制品/母带：指对演唱/演奏等声音首次固定形成之音频成果及其主录音权。
4. 毛收入：乙方/丙方或其被许可的分发商、代理商实际收到且归属于本单曲商业化利用的全部对价性收入（含预付款、保底金、最低保证金、分成、买断价、保底回收后分成、预提后结算等），不含应由用户或平台另行负担的增值税。
5. 净收入：毛收入扣除以下可核销项目后的余额：
   （1）法定税费（不含企业所得税/个税等所得层面税负）、平台服务费、支付通道费、渠道抽成、退款与拒付；
   （2）经事前书面同意且有第三方发票佐证的第三方推广营销成本、封面设计/视频制作/宣发采买成本、不可回收的样本清权成本；
   （3）分发商/聚合商就本单曲按合同约定提取之分发佣金；
   （4）依法向第三方权利人（非甲方）支付的机械复制、样本/素材许可费用及由乙方/丙方代付之集体管理费用（如确由乙方/丙方实际负担并据实列支）。
6. 数字平台：指向公众提供本单曲在线播放、下载或其他数字传播服务的互联网平台（含但不限于QQ音乐、酷我/酷狗、网易云音乐、Apple Music、Spotify、YouTube Music、抖音、快手、B站等）。
7. 同步使用：本单曲或音乐作品与影像、游戏、广告、短视频等视听内容同步结合之利用行为。
8. 发行区域：全球。
9. 有效期：本协议第九条约定之期限。

二、权利归属与许可
1. 音乐作品著作权：除本协议另有明确约定外，甲方对其独立完成之歌词/乐曲享有著作权（含署名权、保护作品完整权等人身权）。甲方在此授予乙方/丙方在有效期内于发行区域就“与本单曲之录音制品的制作、发行、传播及相关商业化开发”所必需之音乐作品专有许可（排他性），许可范围包括：
   （1）为制作本单曲之录音而进行复制、改编（限技术性/配器性/长度性调整）、发行；
   （2）将本单曲在各类数字平台、实体载体、广播电视、公共场所进行传播；
   （3）经甲方书面同意的同步使用许可（甲方同意不无理拒绝，审批期自收到完整要素起5个工作日）。
   许可不包括对音乐作品另行为第三人独立开发新录音制品的普遍许可权，惟甲方同意在本单曲首发之日起[6-12]个月内，不得授权与本单曲构成直接竞争的覆盖版本（翻唱或重录版本）于中国境内商业发行；用于现场演出、试唱/样带投标、非商业教学/研究不在此限。
2. 录音制品权利：本单曲之母带权利归乙方与丙方按其内部约定享有；甲方对其作为演唱/演奏者的表演取得的表演者权依法享有。为本单曲之制作、发行目的，甲方授予乙方/丙方在有效期内、发行区域内对甲方表演之专有许可，供录制、复制、发行、信息网络传播及依法取得相应报酬之用。
3. 道德权利与完整性：乙方/丙方对本单曲之任何剪辑、淡入淡出、无线电编辑、适配短视频之片段化处理，不得歪曲、篡改致损害甲方名誉或作品完整性；涉及旋律/歌词实体性变更须经甲方书面同意。

三、署名与数据标识
1. 署名：乙方/丙方应在可行范围内确保于数字平台、实体包装、MV、宣传物料等载明甲方署名及职位，格式为：“词：[林屿]；曲：[林屿/他人]；编曲/制作人：[如适用]；演唱/演奏：[如适用]”。技术或平台限制导致未能显示者不视为违约，但乙方/丙方应尽商业上合理努力纠正。
2. 元数据：乙方/丙方负责申请并绑定ISRC、ISWC、UPC/EAN等识别码，并在分发前向甲方书面确认涉及甲方署名与份额信息。因乙方/丙方错误元数据致甲方无法正确计费/分配之，乙方/丙方应负责纠正并补足因此少付的款项与由此产生的可证明损失。

四、报酬结构与版税
1. 预付金：乙方/丙方于本协议签署后[10]个工作日内向甲方支付预付版税人民币[¥ ]元（大写：[ ]），该款项可自甲方应得版税中100%回收抵扣，直至全额收回为止。
2. 音乐作品利用收益（著作权部分）：
   （1）由乙方/丙方或其代理直接从用户、平台或被许可人收取的与音乐作品有关之许可费/分成（含同步使用费、下载/铃声/曲库使用等，如非由集体管理组织直接向甲方结算者），乙方/丙方应按甲方在音乐作品中之权利份额比例[甲方作品份额：作词[ ]%，作曲[ ]%]，乘以作品版税比例[作品版税比例：不低于净收入的[ ]%]向甲方结算。
   （2）如音乐作品之公开表演/广播报酬由集体管理组织（如音乐著作权集体管理组织）直接向甲方结算，则该等收入不计入本协议之净收入且不作为可回收项；若由乙方/丙方代收，则仍按前款约定比例向甲方结算。
3. 录音制品利用收益（母带/邻接权部分）：
   （1）与本单曲母带利用有关的净收入（含流媒体、下载、实体、KTV曲库、短视频平台曲库分成等），乙方/丙方按以下比例向甲方结算：
       A. 若甲方为本单曲之“主唱/主奏”表演者：主艺人版税为净收入的[ ]%；
       B. 若甲方为制作人/编曲：制作人点数为净收入的[ ]%；
       C. 若甲方兼具多种角色，则相应比例可累加或以附表一约定为准。
   （2）依法就广播、公开播放等产生的录音制品法定许可报酬或邻接权报酬，如由相关组织或使用者向乙方/丙方支付且归属于表演者与录音制作者共同分享之部分，乙方/丙方应据法律规定或（法律未规定时）按双方约定比例向甲方结算，除非该等报酬已由集体管理组织直接向甲方支付。
4. 同步使用许可：除为MV/短视频平台宣传使用的常规免费同步外，第三方有偿同步许可须经甲方书面同意。经同意并达成之同步许可费用（毛收入），按净收入的[不低于50%]作为作品-录音综合池后，依照甲方在音乐作品与录音制品的份额综合加权向甲方结算；或按附表二的具体比例执行。
5. 物理发行：CD/黑胶等实体销售之净收入，甲方按第3条所述比例结算。若按出厂价（PPD）计算，双方可书面约定最低单张结算额，不得低于PPD的[ ]%。
6. 广告分成与UGC：短视频/UGC平台就曲库使用产生之分成，纳入录音制品净收入口径；若平台将词曲与录音分拆结算，则分别按第2条与第3条对应比例执行。
7. 分成顺序与回收：乙方/丙方按净收入计算版税；经甲方事前书面同意之可回收成本与预付金先行回收，余额按约定比例分配。未经甲方书面同意之营销/推广成本不得自甲方应得份额中抵扣。
8. 最低承诺：自商业上线之日起[6]个月内，乙方/丙方应确保本单曲在至少[3]家主流数字平台上架并维持可用状态；否则甲方有权书面通知限期整改，逾期未改的，甲方可单方解除本协议中关于该平台/区域之专有许可，不影响已发生的结算。

五、结算与审计
1. 结算周期：按自然季度结算，乙方/丙方于每季度结束后45日内向甲方提供书面或电子对账单并支付应付版税。涉及第三方迟延结算者，乙方/丙方应在实际收款后的首个周期内完成转付。
2. 对账单内容：至少包含各渠道毛收入、可核销项目明细、净收入、甲方份额及累计回收余额。甲方有权合理要求提供平台或分发商结算单据的复印件或截图（可遮蔽与第三方约定之敏感商业条款以外的非必要信息）。
3. 审计权：自对账单送达之日起两年内，甲方可在提前10个工作日书面通知下，于工作时间对乙方/丙方与本单曲相关账目进行审计，每年不超过一次。若审计显示对甲方少付超过应付金额的5%或人民币[30,000]元（以较高者为准），乙方/丙方应在10个工作日内补足差额并承担合理审计费用。
4. 税务与发票：甲方依约提供合法有效发票；如甲方为自然人主体，乙方/丙方可依法代扣代缴个人所得税，并向甲方提供完税证明。

六、样本清权与第三方权利
1. 甲方保证对其提交之原始创作内容享有充分、完整且可许可之权利；如使用第三方素材/样本，甲方应事先披露并提供授权证明。乙方/丙方因制作/发行需要使用第三方内容的，由乙方/丙方负责获得许可并承担费用，除非双方另有书面约定。
2. 因一方原因导致第三方权利主张的，由该方承担相应责任并使他方免责；涉及共同原因的，按过错程度分担。

七、保密与宣传
1. 各方对本协议条款、对账信息及未公开的商业信息承担保密义务，除为履行本协议之必要、依法披露或经对方书面同意外，不得向第三方披露。
2. 乙方/丙方可为本单曲的发行及宣发进行合理宣传，但涉及甲方姓名/肖像用于商业代言、实体商品联名或与本单曲无直接关联之推广，应另行取得甲方书面许可。

八、违约与救济
1. 任何一方严重违约且在收到守约方书面催告后15个工作日内未予纠正的，守约方有权解除本协议并要求违约方承担损失赔偿。
2. 乙方/丙方无正当理由逾期支付超过30日的，除支付欠付款项外，还应按逾期部分每日万分之五支付违约金。
3. 协议解除或终止不影响已产生的支付义务、审计权、保密义务与争议解决条款的效力。

九、期限与权利回转
1. 有效期为自本协议生效之日起[5-10]年。期满前3个月内若任何一方未书面提出不再续约，本协议自动续展[2]年。
2. 如本单曲自交付之日起[6]个月内未上线发行，或连续[90]日以上在主要数字平台下架且非因甲方违约或不可抗力所致，甲方可书面通知乙方/丙方解除对音乐作品与表演之专有许可，相应权利回转于甲方；乙方/丙方仍应就已发生之利用向甲方结算。

十、适用法律与争议解决
1. 本协议受中华人民共和国法律管辖（不含冲突规范）。
2. 因本协议产生或与本协议有关之争议，各方应首先友好协商；协商不成的，提交北京仲裁委员会/北京国际仲裁中心按其现行仲裁规则在北京仲裁，仲裁裁决为终局并对各方均有约束力。

十一、通知与送达
1. 各方通讯信息详见文首；任何变更应提前5个工作日书面通知对方。
2. 通过专人递交、快递或发送至约定电子邮箱即视为送达。电子邮件送达时间以发送成功的系统时间为准。

十二、转让与分包
1. 任何一方非经对方书面同意不得转让本协议项下之权利义务。但乙方/丙方可为发行/融资目的将本协议之收益权转让或许可关联公司履行非核心义务，惟应对甲方之支付与结算承担连带责任。
2. 任何受让人或承继人应书面承诺受本协议约束。

十三、不可抗力
因不可抗力致使一方不能履行或迟延履行的，受影响方应在合理期限内通知对方并在合理期间内提供证明，可在不可抗力影响范围内免于承担责任，但应尽最大努力减轻损失。

十四、其他
1. 本协议构成各方就本单曲事宜之完整协议；对本协议之任何修改/补充均须书面作成。
2. 如本协议任何条款被认定为无效或不可执行，其余条款仍具完全效力。
3. 本协议以中文签署，一式[ ]份，具有同等法律效力；可采用电子签名/电子合同形式。

附表一（创作贡献与权利份额）
1. 作品贡献：
   - 作词：林屿[ ]%；其他作者：[姓名][ ]%
   - 作曲：林屿[ ]%；其他作者：[姓名][ ]%
   说明：上述份额之总和为各自项目100%。
2. 编曲/制作：林屿[ ]%；其他：[ ]
3. 表演身份：主唱/合唱/演奏（具体乐器）[ ]。
4. 署名显示：词：林屿；曲：林屿/[]；编曲/制作：[]；演唱：[]。
5. 元数据信息：ISWC（作品）：[ ]；ISRC（录音）：[ ]；UPC/EAN：[ ]。

附表二（版税比例与特殊约定）
1. 作品版税比例（针对乙方/丙方所收作品利用净收入）：不低于[ ]% × 甲方作品份额。
2. 录音制品版税比例（针对录音净收入）：
   - 主艺人：不低于[ ]%
   - 制作人/编曲点数：不低于[ ]%
3. 同步许可分配：净收入的[不低于50%]计入可分配池；甲方按其在作品与录音之综合权利份额获得分配。[或：作品/录音各50%，分别按对应份额分配]
4. 预付金：人民币[ ]元，回收顺序：预付金→经书面同意的第三方硬成本→其余比例分配。
5. 可回收成本上限与审批：单项营销/推广成本超过人民币[ ]元须经甲方书面同意；全年可回收营销成本总额不超过当年与本单曲相关毛收入的[ ]%。
6. 上线时限与地区：最迟于[ ]前在[列举主要平台]上线；重点地区推广：[中国大陆、港澳台、北美、东南亚]。
7. 法定/集管报酬：由集体管理组织直接向甲方支付的报酬不纳入净收入且不得作为回收抵扣项。

各方签署：

甲方（林屿）：签名：________ 日期：______

乙方（牵头发行方）：盖章/签字：________ 日期：______

丙方（联合发行方）：盖章/签字：________ 日期：______

专业提示（非协议条款）：
- 建议在实际签署前，将具体比例、费用上限、预付金额、结算日程及“可回收成本”的范围以清单化方式进一步明确，并与分发商合同对齐，防止口径不一致。
- 若存在出版管理人/版权代理，请在“音乐作品利用收益”项下写明出版份额与“作者份额/出版者份额”的划分，避免重复结算。
- 如选择人民法院诉讼替代仲裁，可将第十条修改为“由被告住所地有管辖权的人民法院管辖”并明确诉讼地。

CONTRIBUTION AND ROYALTY AGREEMENT (SINGLE: “回响” / “Echo”)

This Contribution and Royalty Agreement (Agreement) is entered into as of [Date] (Effective Date) by and between: (i) Zhou Lan, an individual with an address at [Address] (Contributor), and (ii) [Company Name], a [jurisdiction and entity type] with a principal place of business at [Address] (Company). Contributor and Company are each a Party and together the Parties.

RECITALS
A. Company is producing and commercially exploiting a collaborative single presently entitled “回响” (for convenience, the English-language title “Echo”) including the underlying musical composition and one or more sound recordings embodying performances of that composition.
B. Contributor has rendered creative services and made creative contributions to the musical composition and/or master sound recording(s) of the single.
C. The Parties desire to set forth their agreement concerning ownership, administration, credit, and royalties payable to Contributor arising from the exploitation of the composition and the master recording(s).

NOW, THEREFORE, in consideration of the mutual promises herein, the Parties agree as follows:

1. DEFINITIONS
1.1 Composition means the underlying musical work (music and/or lyrics) presently entitled “回响” (also “Echo”).
1.2 Master or Master Recording means the sound recording(s) embodying performances of the Composition and intended for commercial release as the single “回响” (also “Echo”), including edits, remixes, derivatives, and audiovisual synchronizations incorporating such recordings.
1.3 Contribution means any and all creative material furnished by Contributor for the Composition and/or Master, including lyrics, musical composition elements, vocal and/or instrumental performances, production, arrangement, or other copyrightable authorship and neighboring-rights-qualifying performances.
1.4 Net Receipts (Master) means all gross monies actually received by or credited to Company from third‑party exploitation of the Master, excluding sums attributable to the exploitation of the Composition as a separate copyright (i.e., publishing income), less only: (a) bona fide third‑party distributor/aggregator fees and commissions (not to exceed [__]%), (b) payment processing fees actually incurred (e.g., DSP transaction fees), (c) sales, use, VAT/GST and withholding taxes required by law (excluding Company’s income taxes), and (d) reasonable, direct, third‑party out-of-pocket costs pre‑approved in writing by Contributor specifically for mastering and ISRC assignment not to exceed [currency and cap]. No other costs (including marketing, publicity, overhead, advances to other parties, or cross-collateralization against other projects) shall be deducted in calculating Net Receipts unless expressly set forth in Exhibit B.
1.5 Net Sums (Sync) means any license fee actually received by Company for synchronization of the Master in timed relation with visual images, after deduction of bona fide third‑party commissions at standard industry rates actually paid (not to exceed [__]%) and taxes required by law (excluding Company’s income taxes).
1.6 Territory means the universe.
1.7 Term means from the Effective Date in perpetuity, unless earlier terminated pursuant to Section 14.

2. OWNERSHIP; COMPOSITION SPLITS
2.1 Acknowledgment of Authorship. As between the Parties and the other contributors to the Composition, Contributor is a co-author of the Composition to the extent of her Contribution, with the percentage ownership specified in Exhibit A (the Composition Split). In the absence of a conflicting, fully executed split agreement signed by Contributor, the Composition Split in Exhibit A shall control.
2.2 Writer Share; Publisher Share. Contributor’s writer share is as stated in Exhibit A and shall be paid directly to Contributor by the relevant performing rights organization(s) and mechanical rights organizations/collecting societies. Any publisher share attributed to Contributor (if any) shall be administered pursuant to Exhibit A by [Publisher/Administrator], or if blank, by Contributor or Contributor’s designated publisher upon written notice. Company shall not claim any publisher share in Contributor’s interest unless expressly set forth in Exhibit A.
2.3 Registration. Company shall, at its cost, submit accurate, timely registrations for the Composition with relevant societies (including ISWC and IPI data), reflecting the Composition Split and Contributor’s details as set forth in Exhibit A, and shall correct any erroneous registrations within fifteen (15) days of notice from Contributor.

3. MASTER RIGHTS; GRANT; OWNERSHIP
3.1 Grant for Master. Contributor grants to Company the exclusive, transferable, sublicensable right to fix, reproduce, distribute, publicly perform, communicate to the public, make available, sell, and otherwise exploit the Master in the Territory during the Term. Except as expressly provided herein, Contributor retains no ownership in the Master as against Company; provided, however, Contributor’s royalty participation as set forth herein and Contributor’s performer/neighboring rights (to the extent payable via applicable CMOs) are preserved.
3.2 Moral Rights; Waiver/Consent. To the maximum extent permitted by applicable law, Contributor waives (or, where waiver is not permitted, consents not to assert) moral rights in the Master and the Contribution as embodied therein, solely to enable exploitation consistent with this Agreement; provided that Company shall accord credit per Section 9.
3.3 No Obligation to Exploit. Company shall have no obligation to exploit the Master, but if Company fails to commercially release the Master within [six (6)] months after delivery and acceptance, Contributor may terminate Company’s exclusivity over the Master upon thirty (30) days’ written notice, whereupon the grant in Section 3.1 shall convert to a non-exclusive license and Contributor’s Master royalty shall increase by [__]%.

4. ROYALTIES AND PARTICIPATION
4.1 Master Royalties. Company shall pay Contributor a royalty equal to [__]% of Net Receipts (Master) derived from exploitation of the Master (including interactive streaming, downloads, and sales).
4.2 Sync Master Fees. For any audiovisual synchronization of the Master, Company shall pay Contributor [__]% of Net Sums (Sync) attributable to the Master side. This is separate from Contributor’s entitlement to her share of the composition-side synchronization income in accordance with Exhibit A.
4.3 Neighboring Rights / Performer Remuneration. Company shall execute all documents reasonably requested by Contributor or applicable CMOs (including SoundExchange or foreign equivalents) to evidence Contributor’s status as a featured performer on the Master and to enable direct payment to Contributor of any equitable remuneration, digital performance royalties, or neighboring rights income payable to performers under applicable law. Company shall not recoup or intercept such payments.
4.4 Advances; Recoupment. If Company elects to pay an advance to Contributor as set forth in Exhibit B, such advance shall be recoupable solely from Contributor’s Master Royalties under Section 4.1 and Contributor’s share of Net Sums (Sync) under Section 4.2, and not from any composition income or neighboring rights. No cross-collateralization with other recordings or compositions.
4.5 Third-Party Remixes/Versions. For third‑party remixes or alternate versions controlled by Company that embody Contributor’s recognizable performance or Contribution, Contributor shall be paid not less than [__]% of Net Receipts (Master) pro rata to the use of the Contribution and credited as set forth in Section 9. For karaoke, lyric videos, or user-generated content monetization, Contributor shall participate per Section 4.1.

5. ACCOUNTING; AUDIT
5.1 Statements and Payment. Company shall render detailed royalty statements within thirty (30) days after the end of each calendar quarter and shall pay all earned amounts concurrently. Statements shall itemize gross sums received by category and territory, deductions comprising Net Receipts, applicable rates, and reserves (if any) with specific justification.
5.2 Reserves. Reserves against returns/credits are not permitted in digital exploitation. For physical exploitation, reasonable reserves not exceeding ten percent (10%) of units shipped may be maintained for no longer than two (2) consecutive accounting periods; all reserves shall be liquidated no later than the second statement following the shipment period.
5.3 Audit. Contributor or Contributor’s certified public accountant may, upon thirty (30) days’ written notice, audit Company’s books and records relating to the Master and any syncs during normal business hours not more than once per calendar year. If an audit reveals an underpayment of five percent (5%) or more for the audited period, Company shall (a) promptly pay the shortfall with interest at the lesser of one percent (1%) per month or the maximum rate permitted by law, and (b) reimburse Contributor’s reasonable audit costs.
5.4 Late Payments. Any undisputed late payments shall accrue interest at the rate specified in Section 5.3 from the due date until paid.

6. APPROVALS; QUALITY CONTROL
6.1 Fixation and Mix. Contributor shall have a reasonable right to review and comment on the final mix/master with good-faith consideration by Company; provided that Company retains final creative control.
6.2 Uses. Company shall not authorize uses of the Master in association with political campaigns, tobacco, pornography rated above [R/Category], or hate speech without Contributor’s prior written consent, not to be unreasonably withheld or delayed.

7. NAME, LIKENESS, AND CREDIT
7.1 Credit. Company shall accord Contributor the following credit in all customary formats where credits are accorded: “[credit line from Exhibit A]”, including in metadata delivered to DSPs, on physical packaging (if any), on official videos, and on Company-controlled webpages. Placement and size shall be no less favorable than accorded to similarly situated contributors.
7.2 Cure for Omitted Credit. If credit is inadvertently omitted, Company shall use commercially reasonable efforts to cure prospectively (including correcting digital metadata and future pressings) within thirty (30) days after notice. Monetary damages are not an adequate remedy; an injunction compelling credit shall be available.
7.3 Likeness. Contributor grants Company a non-exclusive, royalty-free license to use Contributor’s approved name (stage and legal), approved likeness, approved biographical material, and approved trademarks in connection with the advertising, publicizing, and exploitation of the Master and the Composition. Approval shall not be unreasonably withheld or delayed.

8. METADATA; CODES; DELIVERY
8.1 Metadata. Company shall attach accurate ISRC, UPC/EAN, ISWC, IPI/CAE numbers, contributor roles, credits, and splits as set forth in Exhibit A and deliver complete DDEX-compliant metadata to distributors and societies. Company shall promptly correct any inaccuracies upon notice.
8.2 Delivery. Contributor shall deliver her Contribution in broadcast-quality format reasonably acceptable to Company, together with customary writer/publisher, performer, and union information reasonably necessary for registrations and royalty processing.

9. WARRANTIES; INDEMNITIES
9.1 Contributor Warranties. Contributor represents and warrants that: (a) the Contribution is original to Contributor (except to the extent Contributor identifies licensed samples or third‑party materials in writing and provides corresponding clearances); (b) Contributor has the full right and authority to enter this Agreement and grant the rights granted herein; (c) the Contribution does not infringe any third party’s rights, including copyright, trademark, privacy, or publicity rights; and (d) Contributor is not a party to any agreement that would conflict with this Agreement.
9.2 Company Warranties. Company represents and warrants that: (a) Company has the full right and authority to enter this Agreement; (b) Company shall timely account and pay Contributor under this Agreement; (c) Company will not knowingly exploit the Master in connection with unlawful content; and (d) Company shall be responsible for clearing and paying for any samples or third‑party materials it elects to include in the Master unless otherwise agreed in writing.
9.3 Mutual Indemnity. Each Party will indemnify, defend, and hold harmless the other Party and its affiliates and their respective officers, directors, employees, and agents from and against any third‑party claims, liabilities, damages, costs, and expenses (including reasonable attorneys’ fees) arising out of a breach of its warranties, covenants, or obligations hereunder. The indemnified Party shall promptly notify the indemnifying Party of any claim, and the indemnifying Party shall control the defense, subject to the indemnified Party’s right to participate with counsel at its own expense. No settlement imposing non-monetary obligations on the indemnified Party shall be entered without its consent (not to be unreasonably withheld).

10. TAXES; WITHHOLDING
10.1 Taxes. Each Party is responsible for its own income taxes. If Company is legally required to withhold taxes from payments to Contributor, Company shall (a) deduct only the minimum required by law, (b) provide Contributor with appropriate tax receipts/forms, and (c) reasonably cooperate to reduce or eliminate withholding pursuant to applicable treaties upon Contributor’s provision of required residency/tax forms.

11. UNION AND SESSION OBLIGATIONS
If Contributor is a member of any performers’ union or guild applicable to the services rendered hereunder, Company shall timely file union reports and pay any required union contributions for the Master consistent with the applicable collective bargaining agreement(s), without deduction from Contributor’s royalties unless expressly permitted therein.

12. CONFIDENTIALITY
The terms of this Agreement and the financial information and royalty statements hereunder are confidential and shall not be disclosed by either Party except to that Party’s legal, tax, and financial advisors under a duty of confidentiality, to prospective assignees or financiers under NDA, as required by law or court order, or as necessary to enforce rights hereunder.

13. ASSIGNMENT
Company may assign this Agreement to an affiliate, successor-in-interest, or bona fide purchaser of the Master or of substantially all of Company’s relevant assets, provided that Company remains secondarily liable for accrued obligations and the assignee assumes this Agreement in writing. Contributor may assign to a loan‑out entity controlled by Contributor upon notice, or by operation of law in connection with Contributor’s estate planning; otherwise, no assignment without Company’s prior written consent, not to be unreasonably withheld.

14. TERMINATION; REMEDIES
14.1 Breach and Cure. In the event of a material breach, the non-breaching Party shall provide written notice specifying the breach. If the breach is not cured within thirty (30) days (ten (10) days for payment breaches), the non-breaching Party may terminate this Agreement or seek any other remedy at law or in equity. Termination for Company’s material breach shall not affect Contributor’s accrued payment rights and shall convert the grant in Section 3.1 to a non-exclusive license, unless the breach is solely a payment default cured in full.
14.2 Injunctive Relief. Each Party acknowledges that a breach of Sections 7 (Credit) and 12 (Confidentiality) may cause irreparable harm for which monetary damages are inadequate. Accordingly, injunctive relief may be sought without posting bond, in addition to any other remedies.

15. MISCELLANEOUS
15.1 Independent Contractor. Contributor is an independent contractor and not an employee, partner, or agent of Company. Nothing herein creates a partnership or joint venture.
15.2 Notices. All notices shall be in writing and deemed given when sent by email with confirmation of transmission and followed by courier, or by internationally recognized overnight courier, to the addresses set forth above (or as updated by notice).
15.3 Force Majeure. Neither Party shall be liable for failure to perform due to events beyond its reasonable control, provided that the affected Party uses commercially reasonable efforts to mitigate and resumes performance promptly.
15.4 Governing Law; Venue. This Agreement shall be governed by and construed in accordance with the laws of [Governing Law Jurisdiction], without regard to its conflicts of laws rules. The Parties consent to the exclusive jurisdiction and venue of the state and federal courts located in [Venue], or, if the Parties so elect, binding arbitration before [Arbitration Forum] pursuant to its rules, with seat in [Seat] and judgment on the award enforceable in any court of competent jurisdiction.
15.5 Entire Agreement; Amendments. This Agreement (including Exhibits) constitutes the entire understanding between the Parties concerning the subject matter and supersedes all prior agreements and understandings. Any amendment or waiver must be in a writing signed by both Parties.
15.6 Severability. If any provision is found invalid or unenforceable, it shall be modified to the minimum extent necessary to render it valid and enforceable, and the remaining provisions shall remain in effect.
15.7 Counterparts; Electronic Signatures. This Agreement may be executed in counterparts, each of which shall be deemed an original, and by electronic signatures or scanned/PDF signatures, which shall be deemed originals for all purposes.

EXHIBIT A
COMPOSITION SPLIT; CREDITS; METADATA

A. Composition Title: “回响” (also “Echo”)
B. Writers and Splits:
- Zhou Lan (IPI/CAE: [_____]) — [__]% writer share; publisher share [__]% administered by [Publisher/Administrator name and IPI], or “Self-administered”.
- [Writer 2 Name] (IPI: [_____]) — [__]% writer share; publisher share [__]% administered by [_____].
- [Writer 3 Name] (IPI: [_____]) — [__]% writer share; publisher share [__]% administered by [_____].
Total writer share: 100%. Total publisher share: 100%.
C. PRO/CMO Affiliations: Contributor PRO: [PRS/SACEM/ASCAP/BMI/SESAC/GEMA/JASRAC/Other]; MRO/MLC (if applicable): [_____].
D. ISWC: [_____](to be assigned). ISRC(s): [_____]. UPC/EAN: [_____].
E. Roles: Zhou Lan—[lyricist], [composer], [featured vocalist], [producer], [vocal arranger] (as applicable).
F. Credit Line: “[Primary Artist] — ‘回响 (Echo)’ feat. Zhou Lan” and “Written by [list writers including Zhou Lan]”. Production credit: “[Producer Credits]” (as applicable).
G. Publisher(s) for Contributor’s Share: [Name, address, IPI].
H. Sample/Third-Party Notices: [List any samples/clearances] or “None known.”

EXHIBIT B
ROYALTY RATES; ADVANCES; ADMINISTRATIVE TERMS

1. Master Royalty Rate (Section 4.1): [__]% of Net Receipts (Master).
2. Sync Master Fee Participation (Section 4.2): [__]% of Net Sums (Sync) on the master side.
3. Remixes/Alternate Versions (Section 4.5): [__]% of Net Receipts (Master) attributable to Contributor’s recognizable Contribution.
4. Advances (recoupable only from Section 4.1 and 4.2): [Currency and Amount], payable [on execution/upon delivery/upon release].
5. Accounting Periods and Statements (Section 5.1): Quarterly, within 30 days of period end.
6. Distributor Fee Cap (Section 1.4): [__]%.
7. Caps on Deductible Costs (Section 1.4(d)): [Currency cap].
8. Approvals (Section 6.2 restricted categories): [List or “as stated in Section 6.2”].
9. Governing Law and Venue (Section 15.4): [Jurisdiction and venue/arbitration forum].
10. Release Commitment (Section 3.3): Release within [6] months of delivery and acceptance.

SIGNATURES

Contributor:
Name: Zhou Lan
Signature: ____________________________
Date: ________________________________

Company:
Name: [Authorized Signatory]
Title: [Title]
For: [Company Name]
Signature: ____________________________
Date: ________________________________

[End of Agreement]

版稅協議（合輯《邊界》—數位發行／創作貢獻）

立約雙方：
甲方：【發行方／唱片公司／權利代理人全稱】（以下稱「甲方」）
地址：【——】
統一編號／公司註冊號：【——】

乙方：陳北（以下稱「乙方」）
身分證號／護照號：【——】
地址：【——】
聯絡方式：【——】

前言與目的
鑒於：
1. 甲方擬就題為《邊界》（以下稱「合輯」）之音樂合輯進行數位發行與相關商業開發；
2. 乙方就合輯中特定錄音及／或音樂著作提供創作與／或演出等貢獻；
3. 雙方希望就乙方因其創作貢獻而自合輯數位開發所生之版稅權利及相關事宜，訂立下列條款。

經雙方磋商一致，特立本協議如下：

第一條 定義
除非文義另有所指，下列名詞定義如下：
1. 合輯：指名稱為《邊界》的音樂合輯及其更新版本、加值或重發版本（如有），但限於本協議允許之利用範圍。
2. 曲目：指乙方有創作貢獻且收錄於合輯之每一首錄音，詳列於本協議之附件一。
3. 錄音（Master）：指固定於有形或無形之載體之聲音錄製成果（包含母帶及其衍生之數位檔）。
4. 音樂著作（Composition）：指詞、曲及其他可受著作權法保護之音樂作品。
5. 數位服務平台（DSP）：指提供數位音樂串流、下載或其他數位利用之平台與服務，包括但不限於Spotify、Apple Music、YouTube、YouTube Music、Amazon Music、KKBOX、Tidal、抖音／TikTok 等，以及其授權或關聯之第三方。
6. 淨收入（Net Receipts）：指甲方就曲目在數位領域之實際收受且可歸屬於該曲目之金額，扣除以下項目後之餘額：（a）依法必須負擔之銷售稅、增值稅或類似稅負；（b）DSP抽成、聚合商／發行通路費、第三方收款手續費、退款、拒付、呆帳、匯兌費用；惟不得扣除甲方一般經常性營業成本、管理費或未與該曲目直接關聯之費用。
7. 曲目淨收入：指可由DSP或聚合商報表合理歸屬於特定曲目之淨收入；如報表未能區分至曲目層級，則依消耗量加權分攤（以播放次數、完聽比或DSP提供之消耗數據為準），如仍無法區分，則按合輯收錄曲目數量平均分配。
8. 角色：指乙方在特定曲目中之創作／演出身份，包括但不限於「主唱／主要演出者（Featured Artist）」、「詞作者」、「曲作者」、「編曲」、「製作人」、「錄音師／混音／母帶後期」等，詳附件一。
9. 期間（Term）：指本協議自生效日起至【——年】屆滿之期間，並依本協議約定得續展或提前終止。
10. 地域（Territory）：指【全球／——】。
11. 集管機構：指著作權或鄰接權之集體管理團體（如：MÜST、ARR、BMI、ASCAP、PRS、SACEM、PPL、SoundExchange 等）。

第二條 權利授權與限制
1. 錄音面授權：乙方就其對曲目之錄音貢獻，授與甲方在期間與地域內，為合輯之目的所需之專屬（或非專屬【擇一】）權利，以在數位領域利用該等錄音，包括：上架、串流播放、可下載提供、非永久性複製、內容辨識與封鎖、與DSP庫存同步（含短影音平台音軌庫），以及與數位發行直接相關之推廣性使用（如30–90秒試聽、EPK、播放清單宣傳）。
2. 著作權面（詞曲）與機械授權：
   （1）除非附件一明示另有約定，乙方對其創作之音樂著作不因本協議而移轉予甲方。乙方同意甲方得透過法定授權或集管機構、音樂出版商或其他依法有效之機制，取得為合輯數位發行所必要之機械性重製與公開傳輸授權。惟如適用法令要求由甲方直接支付法定或約定之機械版稅，甲方應依法辦理。
   （2）為避免疑義，乙方就詞曲之出版與公播報酬等權利之收取，概由乙方或其出版商／集管機構另行主張與收受，非本協議版稅計算範圍。
3. 同名他用與限制：本授權僅及於合輯名義下之數位發行，不包括實體發行、影像同步（Sync）、廣告代言、遊戲／影視植入、NFT／區塊鏈鑄造、商品化等；前述利用如有需要，雙方應另行書面簽訂。
4. 權利保留：本協議未明示授與之權利，悉屬乙方或相關權利人所有。

第三條 版稅與預付
1. 版稅基礎：乙方之版稅以曲目淨收入為基礎計算。
2. 版稅結構與比例（擇適用角色並填列比例；以附件一為準）：
   （1）主要演出者（Featured Artist）參與分成：乙方就其參與之每一曲目，得自該曲目淨收入中按【——%】收取。
   （2）製作人參與分成：乙方如為製作人，得自該曲目淨收入中按【——%】收取；或採行業慣例之「點數」方式，折算為曲目淨收入之【——%】。
   （3）編曲／錄音師／混音／母帶後期等技術職能：得自該曲目淨收入中按【——%】收取；或乙方就該等職能以固定酬金方式結算為【——貨幣——金額】，並明確為「可回收預付」或「不可回收一次性費用」【擇一】。
   （4）詞曲作者：乙方之詞曲權利報酬原則上由出版與集管機制另行收取；惟如雙方另約按曲目淨收入分成，應於附件一列明【——%】，該分成不得影響乙方依法向集管機構或DSP另行收受之著作權報酬。
   （5）多人分工時，同一角色之分配以附件一列示之百分比分攤；若未明示，則以乙方與該曲目其他權利人簽署之Split Sheet為準。
3. 最惠國（MFN）：若甲方就同一曲目授予與乙方屬同等角色之第三人更高之曲目淨收入百分比，則乙方之百分比自動提升至相同水準，自該更高比例生效日起追溯適用。
4. 預付與回收：甲方得向乙方支付預付金【——貨幣——金額】。除非附件一另有規定，預付金自乙方依本協議所生之一切版稅跨曲目交叉回收，回收完畢後始行實付。
5. 不得重複扣減：除本條明列項目外，甲方不得以任何名義自乙方版稅中再行扣除成本或費用。

第四條 結算、帳務與稅務
1. 結算周期：甲方應按季結算（每年3/6/9/12月期末後45日內出具對帳單），並於對帳單出具後30日內支付乙方於前期應收之可支付餘額。
2. 門檻與匯款：應付金額低於【——貨幣——金額】者，得順延至次期合併支付。跨境匯款所生之實付銀行手續費得自應付金額中扣除。
3. 稅務扣繳：如法律或稅務規定須代扣代繳，甲方得依法扣繳並提供相應憑證。乙方應配合提供稅務居民身分與減免協定所需文書。
4. 帳務資料與透明：甲方應提供來源明細（含DSP或聚合商報表摘錄或其合理彙整）。乙方得於對帳單送達後【18】個月內，於合理通知與工作時段，由具有會計資格之獨立查核人員至甲方營業處所查核與本協議相關之帳冊。查核如顯示乙方受少付逾【10%】或【等值金額】之誤差，甲方除補足差額外，並負擔一次合理查核費用。

第五條 名稱與肖像、署名與元資料
1. 署名：甲方於DSP頁面、元資料與商業宣傳中，於可行範圍內標示乙方正確之姓名／藝名及角色，格式如下：【例如：主唱／製作人／詞曲：陳北】。如因平台限制無法完整呈現，甲方應採取合理可行之替代方式。
2. 肖像與人格權：乙方授權甲方於合輯宣傳之範圍內無償使用乙方之姓名、藝名、肖像、聲音樣本與傳記資料；惟不得作為與合輯無關之商業代言或背書。
3. 元資料與識別碼：乙方應提供曲目之ISRC、ISWC（如有）、IPI/CAE、ISNI、參與者角色碼、歌詞與必要標籤資訊。因乙方遲延或錯誤提供致使權利金結算或歸屬受影響者，甲方對相應遲延不負責。

第六條 道德權與技術性改動
1. 乙方同意，為符合數位發行之技術需求與平台規範，甲方得對錄音作必要且不改變實質表現之技術性處理（如音量標準化、編碼、淡入淡出長度調整、必要之時長剪裁以供試聽），惟不得進行足以損害乙方名譽或作品完整性之改作。
2. 在適用法令允許之範圍內，乙方就前述合理技術性處理同意不主張或限制行使其姓名表示權及禁止不當修改權；如適用法域不允許拋棄或限制道德權，則本條應於法律許可之最大限度內解釋與適用。

第七條 鄰接權與法定分配
1. 本協議不影響乙方依法得自集管機構或法定機制直接收受之演出者報酬／鄰接權分配（如美國SoundExchange、英國PPL或其他法域之等同機制）。甲方不得就依法須直接支付予表演者之份額主張權利，惟甲方依法得收受錄音著作權人（權利人）應得之份額者，不在此限。
2. 如因曲目屬「受攤分之合輯」而需由權利人或表演者間相互確認分配比例，雙方應善意協作，以附件一或有效Split Sheet為準。

第八條 陳述與保證；權利擔保與賠償
1. 乙方陳述並保證：
   （1）其就附件一所列曲目之創作貢獻具有充分且可授與之權利，或已取得必要同意與授權；
   （2）曲目不涉及未經清理之採樣、素材包或第三方素材；如有，乙方已取得足以支持本協議利用範圍之許可，且不致對甲方造成額外付費義務；
   （3）不侵害任何第三人之著作權、鄰接權、商標權、人格權、隱私權或其他權利；
   （4）不存在足以妨礙本協議履行之已簽約義務或權利負擔。
2. 甲方陳述並保證：其具備從事合輯數位發行所需之商業能力與資源，並將依本協議誠信管理與結算乙方之應得版稅。
3. 如任一方違反其陳述與保證，致他方受有任何索賠、損害或費用（含合理律師費），違約方應就因此所生之損害對他方負賠償責任。若第三方主張權利，受通知方應及時提供合作與必要文件，並賦予合理之抗辯機會。

第九條 期間、續展與終止
1. 期間：本協議自【生效日】起生效，有效期至【——年——月——日】止。
2. 續展：期滿前【60】日，如雙方未書面表示不續約，得以相同條件續展【——年】；續展次數以【——】次為限，除非另行書面約定。
3. 重大違約之終止：任一方嚴重違反本協議且於他方書面催告後【30】日內未補正者，他方得書面終止協議。終止不影響終止前已發生之權利義務。
4. 下架與售罄期：協議期滿或終止時，甲方應於【30】日內通知DSP下架合輯中涉乙方曲目；惟已達成且履行中之DSP營運流程所致之延遲不視為違約。甲方得於【60】日售罄期內清理既有營銷素材與庫存宣傳。

第十條 保密
除依法令或主管機關要求，或為履約、稅務、審計所必要外，任一方未經他方事前書面同意不得向第三人揭露本協議之條款、對帳資料或任何商業機密。

第十一條 讓與與分包
1. 甲方得就本協議項下之權利義務讓與予其關係企業、經營繼受人或與合輯發行相關之受讓人；惟不得因此減損乙方之既得金錢請求權。
2. 乙方非經甲方書面同意，不得讓與其在本協議下之權利義務；但乙方得將其金錢請求權讓與予第三人，惟應事先書面通知甲方，並不影響甲方依法得主張之抗辯或抵銷。

第十二條 不可抗力
天災、戰爭、罷工、政府禁令、重大網路或平台中斷等不可抗力事件，致任一方遲延或不能履行者，於其可歸責事由以外之範圍，免負遲延或不履行責任；惟應於可行時限內通知他方並盡力減輕影響。

第十三條 法律適用與爭議解決
1. 準據法：本協議受【中華民國（臺灣）法／香港特別行政區法例／中華人民共和國法律／——】之管轄並依其解釋。
2. 管轄／爭議解決機制：【擇一】
   （1）專屬管轄法院為【——地方法院／高等法院】；或
   （2）提交【——仲裁中心】依其仲裁規則以【——】語言進行仲裁，仲裁地【——】，仲裁裁決為終局並對雙方具有拘束力。
3. 不影響金錢給付：任何爭議不影響甲方按期提供報表與支付乙方無爭議之應付金額。

第十四條 其他
1. 完整合意：本協議及其附件構成雙方間完整之合意，取代先前所有口頭或書面協議或溝通。
2. 條款獨立：本協議任一條款被認定無效或不可執行時，不影響其他條款之效力，無效條款應於法律允許之最大限度內調整並予以替代。
3. 不構成僱傭或合夥：本協議不構成雙方間之僱傭、合夥、代理或合資關係。
4. 通知：一切通知以書面為之，寄送至本協議首頁所列地址或雙方另行書面指定之地址，得以專人遞送、掛號郵件或電子郵件（附可驗證送達機制）送達。
5. 副本與電子簽署：本協議得以等同效力之多份正本或電子簽署方式成立。

附件一（具體資料與分配比例）
1. 曲目清單：
   - 曲目名稱：【——】；ISRC：【——】；長度：【——】；上架日期（預定）：【——】
   - 乙方角色與比例：
     • 主要演出者：是／否；比例：【——%】
     • 製作人：是／否；比例：【——%】或點數【——】
     • 編曲／錄音師／混音／母帶：是／否；比例或固定費用：【——】
     • 詞作者：【——%】（如適用且約定分成）
     • 曲作者：【——%】（如適用且約定分成）
   - 其他參與者及其比例：依Split Sheet詳列。
2. 出版與集管資訊（如適用）：
   - 詞曲出版社／出資方：【——】；集管機構與IPI/CAE：【——】
3. 預付金與回收條件：
   - 預付金總額：【——】
   - 回收方式：跨曲目／單曲目限定；回收優先順序：【——】
4. 信用標示格式（署名行文與排序）：【——】
5. 其他特別約定：最惠國適用範圍、區域限制、專屬性條件等。

簽署頁

甲方：【——】
法定代表人／授權代表：
簽署：
日期：

乙方：陳北
簽署：
日期：

重要說明（非條款）
- 本協議為合輯數位發行下之「錄音面」參與分成與（如約定）特定範圍之「詞曲面」權利安排範本。不同法域對於機械授權、公開傳輸、公播報酬與道德權之可讓與／可拋棄性規範不一，簽署前宜由適用法域之律師審閱並就稅務影響（含跨境扣繳與避免雙重課稅協定）另行評估。
- 如乙方於同一曲目兼具多重角色，應於附件一明確列示各角色之分配百分比與是否可相互交叉回收，以免混同。
- 若曲目含第三方樣本或素材，請於附件一列明其清理狀態、授權編號、權利成本承擔方及是否影響淨收入基礎，以確保版稅計算之正確性。