生成同人创作灵感

以下是一则专为福尔摩斯宇宙的同人创作而设计的写作灵感提示，旨在点燃叙事与场景的双重想象。它以华生的叙述质感为基底，强调伦敦的雾气、化学的气味、金属与水的光泽，以及推理的张力。随后附上与之匹配的Midjourney画面参考提示词，帮助你先“看见”故事。

一、核心灵感
在伦敦雾像灰色绸缎般垂落的季节，一根被河水打湿的琴弦缠在当票上，弹出一道几乎听不见的冷光。华生从221B的窗边窥见贝克街的光影起落，煤气灯像倒置的黄昏，映在湿滑的石板上。那张当票来自佛利特街上的一家照相馆，死者躺在暗房，手指被硝酸银染成了月亮的颜色。福尔摩斯把那根弦按在二指之间，像在校准一条不可见的旋律：“华生，水、银与光——此间有人用影子造假，用光线杀人。”

二、叙述视角与语气
- 视角：华生第一人称，冷静的医学观察与偶尔的情感涌动交织。
- 语气：克制、细密、带微光的讽刺；在危机处使用短句提升心跳，在推理处绵密铺陈。

三、关键意象与线索
- 物件：浸了泰晤士河味的旧琴弦、带黑渍的当票、被银盐咬过的指尖、镜面反射上若隐若现的字母、来自克拉肯韦尔钟表匠的细齿齿轮。
- 气味：煤气、湿麻布、石蕊与苯酚的清冷、相纸定影药在指缝间的苦涩金属味。
- 痕迹：暗房红光下的水渍构图、鞋底的灯黑粉尘、报童手上的油墨、窗玻璃雾气上的倒写词。
- 人物张力：一位沉默的女照相师（与光结盟却惧光）、格外健谈的报社排字工、失踪的钟表匠学徒，以及像潮汐般只留下边缘痕迹的幕后协调者。

四、场景锚点
- 时间：1890年代初冬，细雨与雾交换着守夜。
- 地点推进：
  1) 221B贝克街：炉火映红化学试剂，木地板轻响仿佛心跳。
  2) 佛利特街照相馆暗房：红光像凝滞的血，定影盘里的影像起落如呼吸。
  3) 圣巴茨医院的停尸间：冷到能听见金属托盘的回声，苯酚像一把无锋的刀。
  4) 莱姆豪斯码头：潮水拖着油亮的黑，船铃声在雾中像迷失的回忆。
- 天气：雨雾交错，路缘积水倒映煤气火苗，马车尾灯抻成长线。

五、三幕结构（可按此骨架展开）
- 第一幕：遗物如音符
  华生记述照相馆命案与琴弦当票；福尔摩斯在221B通过水渍分布与纸张纤维推断当票在潮湿环境被二次处理；一条被故意“过曝”的底片暗藏逆向密码。
- 第二幕：光的骗局
  走访圣巴茨得知死者眼膜上残留异常银盐结晶（强光暴露的证据）；莱姆豪斯发现一间临时暗房，墙上挂着倒写的城市地图；钟表齿轮与曝光计时器、报社截稿时间与潮汐表发生诡异重合。
- 第三幕：影子现形
  夜返221B，福尔摩斯以提琴校准计时，重演行凶的光照与反射路径，在窗玻璃雾气上写下缺失的一笔；幕后者现身——他以“光”为刀，用时间和反射篡改目击；结局可二选一：正义来迟但没有缺席，或真相如银盐般在清洗中渐显，却永远留下一块无法完全漂洗的斑。

六、主题与对照
- 光与影：摄影的真与伪，证据的显影与遮蔽。
- 时间与节律：钟表、潮汐、报时与提琴音高，共同构成一部看不见的谋杀乐谱。
- 科学与伦理：技术冷光下的人心温度，理性如何不被工具化的欺骗所引导。

七、写作限定（可选挑战）
- 必须出现的三种声响：煤气灯微爆的“啵”声、暗房滴液的“嗒”声、远处船铃的“当”声。
- 在不正面描写凶手面容的前提下，通过工具与手迹完成画像。
- 至少一次通过嗅觉推进推理（化学药剂、河水、纸墨）。

八、可用于Midjourney的画面参考提示词（助你固化视觉基调）
1) 221B贝克街室内推理场景
“Victorian London, 221B Baker Street interior, coal fire glow, violin on chair, chemistry glassware with faint fumes, damp winter night outside window, gaslight bokeh on wet cobblestones, leather armchairs, scattered newspapers, subtle fog seeping, warm-cool contrast lighting, 50mm lens, shallow depth of field, high detail, cinematic realism, John Atkinson Grimshaw night mood, Gustave Doré London atmosphere --ar 3:2 --stylize 150”

2) 佛利特街照相馆暗房
“19th-century photographic darkroom, red safelight, silver nitrate-stained fingertips, dripping trays, wet collodion plates, hanging negatives, glistening water ripples, metallic chemical sheen, close-up textures, moody chiaroscuro, tactile realism, macro highlights on droplets, Victorian apparatus, quiet tension --ar 4:5 --stylize 200”

3) 莱姆豪斯雾与码头追踪
“Limehouse docks at night, dense London fog, gas lamps haloed, slick timber pier, distant ship bell, silhouettes moving through mist, rippling Thames, rope coils and crates, horse-drawn cab lanterns stretching into light trails, volumetric fog, low-key palette, 35mm lens, filmic grain, late 19th-century reportage photography feel --ar 16:9 --stylize 150”

使用建议
- 先用第二条暗房图像提示生成关键“凶案审美”，再用第一条确定221B的光色基调，最后以第三条巩固外景的雾与湿度。
- 写作前选一张图，列出你能从图中嗅到、听到、摸到的三种感受，把它们写进第一场景；这将自然拉高感官密度与临场感。

愿你的故事在煤气灯下缓缓显影，像银盐遇见光，先是阴影，再是轮廓，最后是令人不敢直视的真相。

Below is a richly descriptive, Midjourney-ready prompt set tailored to the Classic of Mountains and Seas (Shan Hai Jing) universe. It’s crafted to spark fan-creation worldbuilding and narrative imagery, while staying faithful to core motifs and avoiding anachronism. Use as a master seed for a series, or pick a scene prompt to focus your story’s key moment.

Master world prompt (key art, establishing the myth-cosmos)
- Prompt:
Shan Hai Jing cosmos as an archaic dreamscape: jade-backed mountains spine the horizon like sleeping dragons; Weak Water glitters black and heavy, swallowing even feathers; to the far east the Fusang tree hoists ten suns like molten amber discs, to the west the Ruo Mu drinks dusk; over Kunlun, the Queen Mother of the West with tiger-teeth and a leopard’s tail sits amid thorny cloud and three blue messengers; the Candle Dragon, a miles-long crimson serpent with a human face, opens and shuts its vast eyelids to pour day and night, its breath unspooling winds; Yinglong, the winged dragon, sluiced with river silt and floodlight scales; in Qingqiu a nine-tailed fox steps out of hoarfrost, eyes ember-bright; Bifang, a one-legged fire-bird strikes sparks from the pines; Jingwei beats her small wings over the roar of the Eastern Sea, dropping twigs and stones; Buzhou rises like a broken world-axle; the Moving Sands hiss and sing. Bronze-age textures: verdigris, cinnabar stamps, oracle-bone fissures, lacquer gleam, woven sinew, carved jade. Air smells of pine resin, sea-salt, mineral rain; thunder grinds like millstones. Lighting: dawn knifing through fog, cold moon on obsidian water, fireglow on wet rock. Composition like a layered scroll with deep negative space; ink-wash blacks, vermilion, malachite, bone-white; gilded halos around the suns — ink-wash shanshui x cinematic concept art, ultra-detailed brush grain, subtle film grain, godrays, aerial perspective, long-exposure waterfalls, low-angle epic wide shot —-ar 16:9 --stylize 250 --chaos 12 --no neon, modern buildings, Western armor, text, watermark

Scene prompts (story anchors you can develop into chapters)

1) Dawn at Fusang, the Ten Suns
- Prompt:
At the world’s eastern edge the Fusang rises from surf like a bronze trident, bark veined with cinnabar; ten suns hang in its crown like burning peaches, dripping honeyed light on slate-colored waves; gulls chisel the fog; resin and salt bite the throat; a lone ritualist on a cliff raises a jade blade that hums in the heat — shimmering mirage, heat-haze, scorched cloud-rims, ink-splash foam, scroll-like depth, ancient bronze patina —-ar 3:2 --stylize 200 --no modern ships, steel, text

2) The Candle Dragon over Black Water
- Prompt:
Night sea thick as spilled ink; the Candle Dragon heaves from the deep, a red, human-faced serpent whose eyelids are gates: when they open, day pours across the waves; when they close, stars hiss out; its breath rolls cold wind that tastes of iron; temple bells drown beneath the surf; fishermen lamps gutter like fireflies — colossal scale, bioluminescent rimlight, wet scales like lacquer, mist plumes, low horizon, chiaroscuro —-ar 21:9 --stylize 300 --chaos 10 --no ships with engines, city lights

3) Kunlun and the Queen Mother of the West
- Prompt:
Kunlun stacks in knife-edged terraces, terraces stitched with waterfalls; at its summit sits the Queen Mother of the West, hair wild as stormgrass, tiger-teeth glinting, leopard-tail curled, three azure birds orbiting like living seals; peaches wrinkle in cold wind; jade steps sweat with cloud dew; air tastes of snow and resin — solemn, hieratic pose, archaic regalia of bone, jade, antler; thin gold leaf glints; solemn sky, high-altitude haze —-ar 4:5 --stylize 150 --no modern crowns, neon, text

4) Floodplain of Yinglong
- Prompt:
A drowned plain, the mud mirror-smooth; Yinglong, a winged dragon, slashes the rain with feathered pinions; river-silt tattoos its scales; villagers in hemp and lacquered bark haul braided ropes, eyes salt-burned; the sky bruises purple and green; thunder sounds like grinding stone on stone — kinetic rain threads, shallow depth of field, low vantage at waterline, directional backlight, bronze-age earthworks in background —-ar 16:9 --stylize 175 --no concrete, modern tools, steel cables

5) Qingqiu, the Nine-Tailed Fox
- Prompt:
Frosted grass whispers under paw; a white fox with nine whispering tails emerges between silvered reeds, each tail a brushstroke of winter; breath hangs like silk; eyes are embers banked under snow; cicadas fall silent; a hare’s heartbeat drums in the cold — intimate, hush, rimlit fur detail, bokeh frost, ink-wash negative space, pale palette with vermilion accents —-ar 3:4 --stylize 125 --no jewelry, modern buildings, text

6) Jingwei at the Eastern Sea
- Prompt:
Wind knives the cliff; below, the Eastern Sea gnashes its stone teeth; the small bird Jingwei, feathers salt-matted, drops a twig and a pebble into the roar, again and again; her cry is a thread through the storm; waves wear cinnabar foam; basalt sweats rain — high-motion spray, long shutter blur on waves, heroic tiny subject against sublime scale, grit and salt speckle —-ar 9:16 --stylize 200 --chaos 8 --no lighthouses, concrete, ships

How to tailor and serialize (practical prompt-craft tips)
- Keep a shared “world bible” in the prompt to unify series: materials (jade, lacquer, cinnabar, bronze patina), palette (ink black, vermilion, malachite, bone-white), and era cues (hemp, antler, oracle-bone fissures). Reuse these phrases for visual cohesion.
- Use a seed to maintain continuity across chapters. Example: add --seed 21485 to all related prompts. Change only subject/action to evolve the narrative.
- Weight focus between creature and landscape. Example: Candle Dragon::1.6 storm sea::1.2 ritualist::0.6 — this prioritizes mythic scale over human detail.
- Nudge strangeness with moderate chaos for mythic unpredictability (e.g., --chaos 8–15). For consistent iconography, lower it.
- Use --no to avoid anachronisms: --no modern buildings, neon, firearms, steel, text, logos. This preserves the Bronze-age atmosphere.
- Iterate characters with Vary (Region) to swap regalia or fauna without breaking composition. Keep the same seed for stability.

Writing ignition cues (fold these into your story draft)
- Taste of the world: pine resin, wet jade, mineral rain, salt, and smoke.
- Sounds: thunder like millstones, sands that sing, a fox-tail whisper, wings raking the rain.
- Touch: lacquer-slick scales, paper-dry reeds, bark-stiff robes, ice-needled air.
- Light: eyelids of day and night, suns like honeyed coins, moon as a cold chisel.

Use any single scene prompt to generate keyframes, then expand those images into prose scenes. Let the visuals guide pacing: wide establishing shots for myth-cosmos, then tight, sensory close-ups for character turns.

写作灵感提示：
赤壁余烬的第三夜，江风像一条带盐的绸带，从雾里悄悄勒住你的喉咙。你是一名在火海中挣脱的舟师学徒，指尖被热浪烫得发麻，掌心却攥着一片焦黑的军令木牍——朱砂印痕像被雨洗开的桃花，边角还残留被火吻过的蜡泪。岸边的芦苇折成乌羽，断桅像露出骨的鲸背，水面漂着未灭的火星，散成点点孤灯，仿佛天上失群的星被拖落凡间。你听见远处无名的埋骨地在喘息，听见东风吹过烧空的船腹，发出像长号、又像哭笑的声音。

有人在等你。一个自称“借风者”的灰袍人递上一枚被烟熏得发亮的铜钩，说它能开江上某处密仓；一个披着吴地渔网的女子用短刀挑开你的袖口，露出一道旧伤的方向，像在确认一条密令的暗标；而一名骑着劣马、带北地口音的使者低声讲起官渡旧闻，誓言以粮道秘密换你在夜里的一次引路。你站在三家势力的影子里，脚下是湿漆般的淤泥，身后是被烧得发甜的松木气，前面是看不清边界的水路——每条路都通向一个名字，每个名字都拖着你所不知的真相。你想要的不是投靠，是追索：是谁在火光里让东风说了谎？把你的故事写成一段江上的见证：让船舱的余热、甲片的铁腥、被烟染黑的月色，替你指路；让你捡起的那块木牍，成为你叙事的舌头。你可以让一个大名鼎鼎的将领只以背影或传闻出现，让真正的锋刃交给水、风、火与人心相互摩擦的声音。

配套可视化提示（Midjourney）：
赤壁之战后的清晨，长江雾气翻卷，半沉的战船与焦黑断桅，芦苇丛滴露，星星火点在水面微熄，一个满身水渍与灰烬的年轻舟师学徒跪在江岸，手握焦黑军令木牍，朱砂印痕残留，甲片碎裂散落岸边，湿木与铜锈质感，灰紫天光，层层烟雾与体积光，低机位广角，35mm，电影级真实感，细节丰富，汉末考据风格但写实，不夸张戏曲化，色调绛红黛青与焦褐的压抑对比，微风拂动衣角与芦苇影，Cinematic, volumetric fog, wet surfaces, high detail, photorealistic --ar 21:9 --stylize 200 --chaos 8 --quality 1

变体方向（可选）：
- 雨夜密谈：许都城墙下的灯雨与泥泞脚印，纸伞反射灯火，手中竹简封泥作戏，耳边只听见雨滴打在甲片的细碎声。
- 旷野回声：官渡旧营的焦土上，风吹翻破败军旗，黑鸦振羽，地面埋着半截磨损的刻字磨石，像历史把刀锋藏进尘土。